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Public Works by Chris Mann Awkward_NYC/Awkward_Everywhere
by Zannah Marsh
with funds from the Jerome Foundation

Awkward_NYC/Awkward_Everywhere is a collaborative online map for reporting social accidents and small interpersonal traumas that occur unexpectedly in public spaces. Anyone can add a story to the map. The map pinpoints sites in the New York Metropolitan area or anywhere in the world where misunderstandings, outbursts, physical altercations, arguments between friends or strangers, and romantic spats or break-ups have occurred. It taps into the confessional, voyeuristic, narrative impulses that typify online behavior and subverts the notion of mapping as reductive, objective, and authoritative. As stories are added to the map, a series of data visualizations depicting the emotional terrain of various cities will be generated.
Mark-It MARK-IT
by Esmeralda Kosmatopoulos
with funds from the Jerome Foundation

MARK-IT is an App-based, participatory, public art project in New York City. From May 1 to June 30, participants will be able to download the app to their phones and select a color; their movements through the five boroughs will then generate an organic matrix of lines drawn on a virtual white canvas at the scale of the city. The living, breathing artwork will be visible online in real-time. As co-creators of the artwork, participants will receive a numbered edition of the final drawing. [Needs free Google Play APP or iPhone APP (coming soon) ]
Submersible Submersible
by Yotam Mann and Niv Bavarsky
with funds from the Jerome Foundation

You are at a helm of a submarine navigating the depths of the ocean. At each strata, you see and hear different organisms. In the sunny epipelagic zone, watch the fast and massive tuna swim by in schools. Or catch a glimpse of the rare sea pig in the darkness of the abyssopelagic. Each of these organisms contributes a spatialized motif to the evolving soundscape. [Needs Chrome 21+ or Safari 6+ and Speakers/Headphones]
Panemoticon Panemoticon
by Ali Miharbi and John Priestley
with funds from the National Endowment for the Arts

We know how you feel. Panemoticon observes your behavior, makes a few inferences about your emotional state, and plays music to match your mood. Your mouse/trackpad use says a lot about your energy level, confidence, and perceived control over your environment. Panemoticon tracks and analyzes these data to create an image of your mood, and then generates music, adjusting properties such as tonality (major/minor), harmonic & rhythmic complexity, tempo, timbre, and proximity. Collective mood is calculated for all Panemoticon users on a given site. [Needs Firefox (16 or later recommended), headphones/ speakers, mouse/ trackpad]
WoodEar by Peter Traub WoodEar
by Peter Traub
with funds from the National Endowment for the Arts

Bringing the body of the tree to the network is a natural fit — a tree is a network too: roots sensing and absorbing nutrients, leaves sensing and photosynthesizing sunlight, and phloem and xylem running throughout to carry nutrients across the structure. WoodEar attempts to merge the dynamic qualities of this biological network with the digital network. A series of sensors attached to the tree stream data on the state of its environment — light, temperature, air pressure, and wind. This live data is merged with photos and recordings of the tree's immediate surroundings into a generative application/ installation. By downloading and running the application, anyone can access the live environmental experiences of the tree — one that may be very distant from them, but that still shares the same air, sun, earth, and sky. [Needs download and Speakers/Headphones]
Word Market Word Market
by Belen Gache
with funds from the National Endowment for the Arts

Word Market (WM) is an Internet portal dedicated to buying and selling words, using a unique currency, the ‘Wollar’. In times of increasing privatization of public spaces and the profusion of copyright laws, WM allows you to own, trade and profit from words as their value fluctuates. WM offers you attractive discounts and promotions. Don't hold back! Increase your linguistic wealth. Become the owner of your words! And most importantly, prevent others from using them! [Sign in for a free account]

Read a review >> (in Spanish)
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Events

Enlisting Participation Online Enlisting Participation Online: Andy Deck and Zannah Marsh

April 14, 2013; 3:00 - 6:00 pm
Harvestworks, NYC and Live Streamed


Following a brief introduction by Turbulence.org's Co-Director, Helen Thorington, artists Andy Deck and Zannah Marsh will present their recent net art commissions, Crow Sourcing and Awkward_NYC/ Awkward_Everywhere. Both artists designed participatory platforms and enlisted participation using Twitter and other online social networking services. A discussion with the audience will follow.
WoodEar at Pace WoodEar
by Peter Traub with Jennifer Lauren Smith
with public funds from the National Endowment for the Arts and the New York City Department of Cultural Affairs

April 16-May 3, 2013
Opening Reception: April 16; 5:00 - 7:00 pm
Pace Digital Gallery, NYC


Commissioned specifically for Pace Digital Gallery WoodEar, the installation, expands into the gallery the software that launched on Turbulence in 2012. The work attempts to merge the dynamic qualities of the biological network of a tree — roots gathering water and nutrients; leaves using sunlight to produce food; and phloem and xylem moving water and nutrients across the structure — with the digital network of the Internet. A series of sensors attached to the tree stream data on the state of its environment — light, temperature, air pressure, and wind. This live data, merged with images and recordings of the tree's immediate surroundings, is made audible and visible in the gallery.


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Thanks to the Andy Warhol Foundation for the Visual Arts, the Jerome Foundation, the LEF Foundation, the Massachusetts Cultural Council, a State agency, mediaThe foundation inc., the Murray G. and Beatrice H. Sherman Charitable Trust, the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Music Fund, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, The Greenwall Foundation, and the Trust for Mutual Understanding for their support.

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